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Anli Hou’s work is a compelling meditation that mostly examines the emotional and societal roles that contemporary jewellery can play. Far beyond mere ornamentation, her creations act as vehicles for introspection, memory, and meaningful connection. At the centre of her practice lies a deep commitment to exploring jewellery as a medium of communication, a truly tactile, visual language capable of bridging the emotional gaps so often widened by the digital age. Her designs are less about decoration and more about dialogue, drawing attention to the growing disconnect between people and urging a return to genuine, face-to-face interaction.
This exploration is continued in Anli’s latest work with a strong emphasis on sensory immersion and emotional refuge. Drawing from personal rituals, moments spent watching the soft flicker of candlelight or becoming entranced by the prismatic dance of holographic surfaces, she creates a candle holder that is both sculptural and symbolic. Using metal and holographic plastic, she crafts a space where light becomes movement and tranquillity forms. The result is not just a functional object but a meditative portal that invites viewers to take a look and breathe. Aiding them in escaping the noise of everyday life.
Before we dive into an interview with Anli Hou. Here is our critique of her series.
The Work of Anli Hou
In this evocative sculptural work, artist Anli Hou offers a poetic response to the sensory overload of modern life. The piece, a hybrid between wearable art and functional objects, fuses holographic plastics, pearls, and metallic surfaces into a dreamlike, coral-like form that doubles as both a brooch and a candleholder. The two iterations, one worn on the body, the other cradling a flickering candle, work to underscore the duality of adornment and refuge.
Visually, the work is captivating. Holographic elements shimmer with an iridescence that shifts as the viewer moves, invoking a trance-like quality. This interplay of light and texture becomes a meditative focal point echoing Hou’s personal experiences of gazing into reflective surfaces to escape reality. The materials invite the viewer into a softened, surreal landscape, offering a momentary suspension from the pressures of daily life.
What initially inspired you to become an artist, and how did you develop your unique style?
My connection with art feels almost innate. From an early age, I harboured an indescribable passion for painting. I became the youngest student in my art teacher’s studio in kindergarten, joining older students on outdoor sketching trips. However, I was so small that I often had to stand on a chair to reach my canvas. Immersed in the world of colours and lines, I found a sense of joy that only grew stronger as I aged. From the age of four to fourteen, my life revolved around paper, brushes, and the boundless possibilities of artistic expression.
At fifteen, a journey changed the course of my life. I travelled to Austria with my mother and visited Swarovski’s headquarters. The moment I laid eyes on the dazzling artistic jewellery displayed before me; I was completely captivated. It was more than just a fusion of materials and craftsmanship—it was the interplay of light and shadow, imbued with deep emotions. For the first time, I realized that jewellery was not merely an ornament; it carried stories, embodying the designer’s vision and sentiments. At that moment, my dream became clear: I wanted to become a jewellery designer.
Later, I pursued further studies at the Royal College of Art in the UK, an experience that profoundly expanded my design thinking. I began to see jewellery not just as an aesthetic object but as a medium for dialogue—one that reflects social phenomena and speaks within a global context. This realization shaped my artistic style, which revolves around innovative materials and conceptual value. I focus on social issues, seeking resonance with specific communities so that my works become more than just decorative pieces—they transform into artistic narratives that provoke thought and emotional connections. In terms of materials, I am passionate about combining mixed media with metal to push the boundaries of possibility. At the same time, meticulous craftsmanship and bold color palettes have become defining elements of my work.
Today, I lean towards defining myself as an artist rather than solely a jewellery designer. I refuse to be confined by form, choosing instead to break boundaries and explore new ways of expression across different mediums. My journey is still unfolding, and I walk this path with unwavering determination, seeking the luminous intersection between art and the era in which we live.
Do you have any rituals or routines that help you get into a creative mindset when starting a new project?
Before embarking on a new project, if time allows, I always yearn for a relaxing journey. For me, travel is not just a brief escape but a vital ritual that fuels my inspiration. I revel in the thrill of the unknown and the joy of discovery, allowing my mind and body to fully unwind in the freedom of the journey. I have always believed that nature is the greatest healer. When I find myself amidst the depths of a forest, the vastness of a prairie, or the endless expanse of the ocean, the sheer magnificence and mystery of these landscapes send a rush of adrenaline through me, unlocking an endless well of creativity.
What fascinates me even more is that inspiration is not confined to the waking world—it often seeps into my dreams. During the conceptual phase of a project, my mind remains immersed in the creative process, so much so that even in my sleep, my subconscious continues to explore new ideas. My dreams unfold like surreal films as if my mind is constructing a theater of inspiration just for me. Sometimes, the form of my artwork manifests itself vividly in my dreams, appearing like a mysterious revelation. This experience never fails to amaze me, and over time, it has become one of my most intriguing creative “skills.”
Between reality and dreams, between nature and imagination, every journey and all dreams serve as an endless source of inspiration along my artistic path.
What materials do you combine with metals in your jewellery and other artworks?
In my jewellery creations, I have always been passionate about exploring and incorporating mixed materials such as bio-textiles, felted wool, glass, wood, and clay. Experimenting with materials allows me to push the boundaries of design, and each innovative attempt brings me immense satisfaction. To me, contemporary jewellery should not be confined to traditional metals and gemstones; instead, it should break free from conventional constraints and unlock new possibilities through diverse materials.
In my latest work, I have boldly used holographic plastic as the primary visual element. The mesmerizing holographic effect of this material captivates me, drawing me into a world of shifting light and colors. Whether under artificial lighting or natural sunlight, it refracts dazzling, dreamlike hues, as if infused with a magical glow of its own.
I excel at identifying the unique characteristics of each material and amplifying their essence. Even when working with traditional materials like pearls, I gravitate toward irregular shapes such as horseshoe-shaped or jagged pearls. Their raw, asymmetrical forms exude an organic wildness and a distinctive beauty. I have always been drawn to the unconventional—elements that defy norms yet possess an irreplaceable individuality. This is the essence of my jewellery language: allowing materials to tell their own stories and breathe new life into artistic expression.
Can you tell us about the recognition you received for your work ‘Trace’ at the Milano Jewelry Week 2023?
It was a tremendous honor to present my piece, “Trance,” at Milano Jewelry Week. This was not only my first time stepping onto the stage of an international jewelry week but also a precious opportunity to engage with distinguished jewelry artists worldwide. To my surprise, my work received widespread recognition, earning me an invitation to the Awarding Night, where I was honored with the Artistar Jewels Network Award.
Furthermore, my piece was featured in the Artistar Jewels Volume, a moment of immense joy and gratitude for me.
During the exhibition, I had the privilege of meeting many esteemed jewelry designers and engaging in profound discussions about the diverse expressions and future directions of contemporary jewelry. Through these conversations, I gained invaluable insights into the industry and deepened my understanding of contemporary jewellery. This journey was not only an affirmation of my creative endeavours but also a new beginning, inspiring me to explore uncharted paths with great anticipation for the future.
Can you share a particular project that stands out to you and explain the creative process behind it?
I want to share my “The Sea” collection, a creation from my personal experience.
Growing up in an inland city, the ocean was unknown to me. It was not until a serendipitous opportunity allowed me to spend a month by the sea that I truly encountered its vastness and wonder. Every day during that time was filled with freshness and discovery. What fascinates me the most is the ocean’s tides—watching as the waves carried starfish, octopuses, shrimp, and crabs onto the shore. Each moment felt like a gift, and I would gently pick them up, marveling at the delicate movement of life at my fingertips.
One experience, in particular, left a profound impression on me—the sensation of an octopus gliding across my palm. Its soft, agile limbs wrapped lightly around my fingers as if adorning my hand with a piece of jewelry. This mesmerizing moment inspired the most distinctive wearing style of the “The Sea” collection—jewelry feels alive, as if it naturally grows upon the skin.
In terms of materials, I incorporated pearls and treasures of the sea to connect the piece further to its marine origins while adding a touch of softness and radiance. For the form, I instinctively chose the octopus—a creature of extraordinary grace and movement—crafting designs that capture its fluidity and dynamic presence, creating a striking visual impact.
“The Sea” is more than a tribute to the ocean; it explores the harmony between nature and jewellery as an art form. When wearers touch these pieces, they, too, can feel the vibrancy and poetry of the deep blue sea.
How do you incorporate feedback from critics and audiences into your artistic practice, and how do you balance this feedback with your own artistic intuition?
I have always valued the critiques and feedback from critics and audiences regarding my work. Creating an artwork is not merely an act of self-expression but also an invitation for interpretation by the public. Through these diverse perspectives, the meaning of a piece continues to expand, and the insights found within these critiques often bring me unexpected inspiration and surprises.
I am deeply grateful for the praise, as it acknowledges my work and resonates with my creative vision. At the same time, I embrace constructive criticism with an open mind. For instance, technical feedback on craftsmanship often makes me aware of areas that need improvement. I listen attentively, strive to refine my metalworking skills, and seek better solutions to enhance my craftsmanship. These lessons are then consciously incorporated into my future creations.
However, I remain faithful to myself when it comes to critiques of artistic style and expression. Every artist possesses a unique aesthetic philosophy, and an artwork’s style reflects the artist’s inner world. Therefore, while I am open to different perspectives, I also believe in maintaining my individuality, ensuring that my work retains its essence and identity.
Artistic growth does not come from mere conformity but from finding a balance between listening and staying true to one’s vision.
How do you stay motivated and inspired despite any setbacks or creative blocks you may encounter?
Throughout my creative journey, I have understood that every artist, to some degree, encounters difficulties and setbacks. When creating the “Trance” collection, my greatest challenge was the combination of different materials, particularly how to securely and firmly attach holographic plastic to the metal surface. This became one of my most difficult attempts. Despite repeatedly trying various methods and facing countless failures, my nature is such that the more obstacles I face, the more determined I am to overcome them. Each failure only fueled my desire to conquer, and when I finally overcame these challenges, the sense of satisfaction and excitement that followed was immense.
However, I adapt my methods and techniques often, striving to achieve the same effect in a simpler and quicker manner. Finding innovative solutions to creative challenges has become a consistent approach for me.
Of course, throughout this process, soothing music and films play a significant role in alleviating my anxiety. Especially in difficult times, I often find comfort in my surroundings, and at times, I may even cry to release built-up emotions. Once I have cleared my mind, I return to work with renewed clarity and focus.
Looking ahead, what are your long-term goals and aspirations as an artist, and how do you plan to achieve them?
As an artist, my long-term goal is to continue exploring the intersection of jewellery, storytelling, and innovative materials, creating works that evoke emotions, reflect social phenomena, and resonate with the audience. I aspire to push the boundaries of contemporary jewelry by incorporating mixed materials and unconventional wearing methods while maintaining a deep connection to craftsmanship and artistic expression.
To achieve this, I plan to expand my knowledge through continuous experimentation and collaboration with experts from various fields, including new materials and interdisciplinary studies. I also intend to participate in more international exhibitions, which will not only allow me to showcase my work on a broader stage but also engage in meaningful dialogues with other artists, curators, and collectors.
Furthermore, I hope to establish a distinctive artistic identity that bridges tradition and innovation, creating jewelry that tells stories beyond mere adornment. Through research, teaching, and mentorship, I aim to contribute to the future of contemporary jewellery, inspiring the next generation of artists to embrace creative risks and personal narratives in their work.
What role does emotion play in your creative process, and how do you aim to evoke specific feelings or reactions from those who view your artworks?
Emotion is at the heart of my creative process, both the inspiration and driving force behind my work. Every piece I create is deeply intertwined with personal memories, experiences, and narratives, allowing emotion to shape not only the concept of my jewelry but also its form, materials, and presentation.
To evoke specific emotions or reactions from the audience, I carefully consider how visual and tactile elements interact. I experiment with contrasts—such as light and shadow, and movement, or traditional and contemporary materials—to create an immersive sensory experience. How a piece is worn also plays a crucial role; I often design jewelry that encourages interaction, inviting the wearer to engage in storytelling actively.
Moreover, I draw inspiration from nostalgia and memory, aiming to create works that feel deeply personal and universally resonant. Whether through the form of a piece or the materials used, my goal is to spark curiosity, introspection, or even a sense of nostalgia in those who experience my work. Ultimately, I hope my jewelry transcends mere adornment, becoming a vessel for emotions, stories, and connections.
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